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BEGIN:VEVENT
UID:20260924T101626Z - 11030@eu736a.odoo.com
DTSTART;TZID=Europe/Brussels:20261022T120000
DTEND;TZID=Europe/Brussels:20261031T170000
CREATED:20260924T101626Z
DESCRIPTION:<a href="https://www.ruqah.be/event/muslimgauze-sound-image-and
 -the-political-afterlife-of-an-archive-expo-43">MUSLIMGAUZE Sound\, Image 
 and the Political Afterlife of an Archive | Expo</a>\nMUSLIMGAUZE Sound\, 
 Image and the Political Afterlife of an Archive | Expo From 22 to 31 Octob
 er\, Ruq’ah and Cloud Seven present a programme dedicated to Muslimgauze
 \, the prolific musical project of British artist Bryn Jones\, whose work 
 developed an intense and often contested relationship with Palestine\, the
  Middle East\, political imagery and sound. The programme brings together 
 exhibition\, film\, archival material\, listening and conversation\, appro
 aching Muslimgauze not simply through music\, but through the visual and p
 olitical world that accumulated around an extraordinary body of work. The 
 exhibition\, curated by Mohammad Zaza\, presents a selection of album cove
 rs\, artworks and visual material from Muslimgauze’s extensive catalogue
 . Through repetition\, appropriation and political iconography\, these wor
 ks form a visual archive inseparable from the music itself. As part of the
  programme\, we will screen Muslimgauze: Chasing the Shadow of Bryn Jones\
 , directed by Iara Lee\, followed by a conversation around the film and th
 e legacy of Bryn Jones. The programme also includes Memorial for Those Who
  Did Not Fall in War\, creating another point of reflection within the exh
 ibition around memory\, absence\, violence and the ways political historie
 s are remembered. The exhibition opens a wider Muslimgauze programme conti
 nuing the following week at Ruq’ah\, focusing on the sonic experience\, 
 political content and politics of repetition in Jones’s work\, curated b
 y: Mohammad Zaza\, a Syrian painter\, illustrator and curator\, For the Mu
 slimgauze programme\, Zaza curates the visual dimension of the project\, b
 ringing together a selection of album covers\, artworks and archival mater
 ial to examine the distinctive visual language surrounding Muslimgauze and
  its relationship to Palestine\, political imagery and the politics of rep
 etition. 22–31 October 2026 Cloud Seven\, Brussels
DTSTAMP:20260924T101626Z
LOCATION:Quai du Commerce 7\, Brussels  1000
SUMMARY:MUSLIMGAUZE Sound\, Image and the Political Afterlife of an Archive
  | Expo
X-ALT-DESC;FMTTYPE=text/html:<a href="https://www.ruqah.be/event/muslimgauz
 e-sound-image-and-the-political-afterlife-of-an-archive-expo-43">MUSLIMGAU
 ZE Sound\, Image and the Political Afterlife of an Archive | Expo</a>\nMUS
 LIMGAUZE Sound\, Image and the Political Afterlife of an Archive | Expo Fr
 om 22 to 31 October\, Ruq’ah and Cloud Seven present a programme dedicat
 ed to Muslimgauze\, the prolific musical project of British artist Bryn Jo
 nes\, whose work developed an intense and often contested relationship wit
 h Palestine\, the Middle East\, political imagery and sound. The programme
  brings together exhibition\, film\, archival material\, listening and con
 versation\, approaching Muslimgauze not simply through music\, but through
  the visual and political world that accumulated around an extraordinary b
 ody of work. The exhibition\, curated by Mohammad Zaza\, presents a select
 ion of album covers\, artworks and visual material from Muslimgauze’s ex
 tensive catalogue. Through repetition\, appropriation and political iconog
 raphy\, these works form a visual archive inseparable from the music itsel
 f. As part of the programme\, we will screen Muslimgauze: Chasing the Shad
 ow of Bryn Jones\, directed by Iara Lee\, followed by a conversation aroun
 d the film and the legacy of Bryn Jones. The programme also includes Memor
 ial for Those Who Did Not Fall in War\, creating another point of reflecti
 on within the exhibition around memory\, absence\, violence and the ways p
 olitical histories are remembered. The exhibition opens a wider Muslimgauz
 e programme continuing the following week at Ruq’ah\, focusing on the so
 nic experience\, political content and politics of repetition in Jones’s
  work\, curated by: Mohammad Zaza\, a Syrian painter\, illustrator and cur
 ator\, For the Muslimgauze programme\, Zaza curates the visual dimension o
 f the project\, bringing together a selection of album covers\, artworks a
 nd archival material to examine the distinctive visual language surroundin
 g Muslimgauze and its relationship to Palestine\, political imagery and th
 e politics of repetition. 22–31 October 2026 Cloud Seven\, Brussels
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